Stratis Thalasinos Among the Agapanthi

There are no asphodels, nor violets, nor hyacinths

how can you talk with the dead?

The dead only know the language of the flowers;

for this they keep silent

they travel and keep silent, endure and keep silent

beyond the land of dreams, beyond the land of dreams.

If I start to sing I’ll call out

and if I call out—the agapanthi order silence

lifting the tiny hand of a purple Arabian baby

or even the footprints of a goose in the air.

It is unbearable and difficult, the alive are not enough for me

first because they don’t speak and then

because I have to ask the dead

in order to carry on further.

There is no other way, soon as I fall asleep

the comrades sever the silver strings

and the wings’ flask empties.

I fill it and it empties, I fill it and it empties;

I wake like a goldfish swimming

in the chasms of lightning,

and the wind and the deluge and the human bodies,

and the agapanthi nailed like the arrows of fate

to the unquenchable earth

shaken up by convulsive signals,

as though loaded on an ancient cart

rolling down gutted roads, on old cobble-stones,

the agapanthi, asphodels of the negroes:

How can I learn this religion?

The first thing God made is love

then comes the blood

and the thirst for blood stirred by

the body’s sperm like the salt.

The first thing God made is the long journey

that house is waiting

with a light-blue smoke

with an aged dog

waiting to die with the home coming.

But the dead have to advise me;

it’s the agapanthi that keep them silent

like the depths of the sea or the water in the glass.

And the comrades remain in the palace of Circe;

my precious Elpinor! My precious, fool Elpinor!

Or, don’t you see them?—Oh Help us!

On the blackened ridge of Psara.

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