ORESTES (Excerpt)

And mother’s voice, daily and contemporary, and

correct, can verbalize, quite naturally, the most great

and most insignificant words, in their most valuable

meaning, like: a butterfly came through the window or

the world is unbearably beautiful, or a little more dye

was necessary for the linen towels or I can’t recall

a note from that fragrance of the night, and she laughs

perhaps to stop someone from laughing — this deep

understanding of hers and her tender lenience for

everyone and everything (almost disdain), I always

admired and was afraid of her conscious, high pride

mixing her little, smart, multifaceted laughter

with the light strike of a match and its flame when

she lighted the hanging light fixture of the dining room,

and she was there, lighted from down up, with the light

concentrated on her well-lined chin and her vibrating

nostrils which stopped breathing momentarily and

narrowed so as she’d remain here with us, she’d stand,

she’d stay motionless, so that she wouldn’t turn into

a stelae of light-blue smoke amid the breath of night,

so that the trees wouldn’t take her among their small

branches, so that she wouldn’t become the thimble

for a star’s endless embroidery —

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