LIGHTHOUSE KEEPER

When you climb the round interior stairway

with the long and narrow windows that look

first at the sea then at the sky, you feel dizzy,

you think that this stairway has no end, as if

you climb in your dark viscera, as if you wrap

yourself around yourself, as if you alone twine

yourself in the unknown and slowly you escape

                gravity; you get dizzy.

This stairway is a gimlet made of stone; it endlessly

drills opening a hole in the void and when you reach

up to the balcony the power of gravity equals the height

               you have climbed. Then

you can’t look neither down nor up but only straight

ahead following the beam of your eyes which are like

two wide open wings that keep you between earth and

sky in a motionless, heavy, trembling balance.

Such afternoons are beautiful, at that exact point

where motionlessness meets motion, heaviness meets

lightness, the gulls often succeed in this, you noticed?

And then the seagull is a palm that covers the void

or a small floating statuette for a pointless and

incomprehensible victory that concentrates in

its whiteness all the light of the approaching night

and the light of the day that fades away.

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