SATURDAY

I haven’t forgotten anything

everything is in its place arrayed in order waiting for the hand to pick

only I couldn’t find the childhood years

nor the location where the hero of the drama was born

or the first impressions

the ones he recalls in the fifth act

at the apex of misery.

Everything else, here they are, in order:

the masks for the three main emotions

and for the intermediary the dresses with the pleats ready to move

the partitions, the lights

Medea’s killed children

the poison and the knife.

In this box lies life when it starts being unbearable

if you pay attention to it you’ll hear its breathing

careful don’t open it before the Furies whistle.

In this glass love of the body exists

and in this other one, the light-blue, the love of the soul

careful do not mix them up

and in this drawer Nessos’ shirt(act five, third scene)

you remember the speech that starts

‘Enough of life! Io! Io!’

Here is the trumpet that destroys the palace

and the queen appears in her sin

this is the microphone switch

they’ll hear you to the far end of the world.

Let’s start! Lights! Good luck!

—Just a moment, who am I to play? Who am I going to kill?

and these people staring at me

how will they believe that justice protects me?

How will they believe?

Oh that we could only love

at least like the bees

not like the doves

at least like the conches

not like the sirens

at least like the ants not like the plane trees…

but don’t you see them they are all blind!

The blind are asleep.

—Excellent, you may carry on.

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